Reflecting on the bleak horror of Christopher Nolan’s Oppenheimer biopic and asking, hey, isn’t this the plot of Amadeus?
Unpacking meaning, mental illness and story signposts in Scorsese’s Shutter Island
How Top Gun: Maverick brings closure to 1986’s high-octane love story
Exploring the inverted Gothic horror of The Others
A military advertising exec thinks nothing of sending soldiers to die. But what goes around, comes around and around and around …
How The Great Escape mirrors the traditions of heist movies