How Vaugh Stein’s basement thriller flips the tables on power and gender
The source of the horror in Get Out is its deconstruction of everyday racism
The 2008 remake sells us a potent picture of apocalypse, ecological vandalism … and grief
A girl, a guy, a glass coffin and happy ever after. Or is it?
Classic themes, striking visuals – and opera
Moscow, murders and metaphors of heaven and hell