Inception (2010) explained: not a heist but an intervention
The question isn’t whether Cobb is still dreaming at the end of Inception, but who is dreaming Cobb
Knowing (2009) explained: sci-fi, sin and damnation
How Knowing subverts its genres … and mirrors 2002’s Signs
Whose line is it anyway? Muriel Spark’s The Driver’s Seat explained
The Driver’s Seat and the ‘second narrative’ theory