Joker plays on good and evil, Chaplin’s comedy … and stairways
Film theories: cinema techniques, how to ‘read’ movies, and what makes them work.
The mirror game: doubling and identities in The Departed
How conflict gives Spielberg’s shark tale its bite
Is Bride Wars a feminist film or a fail complication?
The question isn’t whether Cobb is still dreaming at the end of Inception, but who is dreaming Cobb
How Knowing subverts its genres … and mirrors 2002’s Signs