Drive, by James Sallis | Review
Hard-boiled noir with a need for speed
TheHaughtyCulturist
thehaughtyculturist explores how and why we tell stories on page and screen, and is written by Ruth Bushi | About
TheHaughtyCulturist
thehaughtyculturist explores how and why we tell stories on page and screen, and is written by Ruth Bushi | About
Why Charlie & the Chocolate Factory is a warning for naughty children
The fairytales (and religious) warnings encoded into Dahl’s chocolate factory classic
Inception (2010) explained: back to reality
The question isn’t whether Cobb is still dreaming at the end of Inception, but who is dreaming Cobb
Knowing (2009) explained: sci-fi, sin and damnation
How Knowing subverts its genres … and mirrors 2002’s Signs
Die Hard 2 (1990): why does John McClane smoke?
Die Hard 2 depends on John McClane being a smoker
Whose line is it anyway? Muriel Spark’s The Driver’s Seat explained
The Driver’s Seat and the ‘second narrative’ theory