Why Charlie & the Chocolate Factory is a warning for naughty children The fairytales (and religious) warnings encoded into Dahl’s chocolate factory classic
Inception (2010) explained: back to reality The question isn’t whether Cobb is still dreaming at the end of Inception, but who is dreaming Cobb
Knowing (2009) explained: sci-fi, sin and damnation How Knowing subverts its genres … and mirrors 2002’s Signs
Whose line is it anyway? Muriel Spark’s The Driver’s Seat explained The Driver’s Seat and the ‘second narrative’ theory